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		<title>Robert Chapman&#039;s Blog</title>
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		<description><![CDATA[Rob Chapman&#039;s Blog - Military illustration from the late 17th Century to the present day<script type="text/javascript">
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		<copyright>Copyright 2010, Rob Chapman</copyright>
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			<title>Update</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry090702-161408</link>
			<description><![CDATA[Well, I finished the RAF painting a couple of weeks ago and it will be in Skirmish magazine shortly. But what was important was that I was able to send a print to the chap who was the subject of the piece. Apparently he was pleased with it, which pleased me. So we&#039;re all pleased. More Napoleonic work under way. I&#039;m looking at doing some work on the glider attack on Sicily but need to go to the Staffords Regimental Museum to do some research. I know that they were issued with assault jerkins after the fighting but it isn&#039;t clear what they wore at the time.]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Thu, 02 Jul 2009 15:14:08 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=09&amp;m=07&amp;entry=entry090702-161408</comments>
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			<title>Aircrew</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry090609-093126</link>
			<description><![CDATA[I&#039;ve realised why aircrew are so rarely depicted - the leather of their flying kit is very difficult to paint properly.<br /><br />However, I&#039;ll finish it soon.]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Tue, 09 Jun 2009 08:31:26 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=09&amp;m=06&amp;entry=entry090609-093126</comments>
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			<title>After a holiday</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry090531-140803</link>
			<description><![CDATA[Just returned from a week in Cornwall. Had a good time with all the family but when you are half way through a painting it can be a bit frustrating.<br /><br />I am working on a WOP/AG of 1940. It is based on the father of a close friend who flew in Fairey Battles during the fall of France. Obsolete planes manned by crews on a hiding to nothing. Ron, the father, was comparatively lucky, he spent 5 years as a POW after his plane was shot down. A lot of men were killed in those slow and ill-armed sitting targets. It all happened in the weeks before Dunkirk and the Battle of Britain and their part in the War has been sorely neglected. <br /><br />And how often do you see paintings of aircrew - plenty of pics of planes. But they  just provided the seats for the fliers.]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Sun, 31 May 2009 13:08:03 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=09&amp;m=05&amp;entry=entry090531-140803</comments>
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			<title>Work in progress, and ahead</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry090206-105652</link>
			<description><![CDATA[I’ve just completed a large scale commission (for me -  six figures and a landscape and larger than A3 in size). It depicts the 20th (XXth) Regiment on the eve of the Battle of Minden in 1759. The addition of the wild roses they picked on the way was interesting and allowed for some decorative elements in the painting. Although it was painted in gouache, which was a requirement of the client, I would do a similar piece in oils in the future. It would give a different quality and allow me to work in a livelier way. Which would be good.<br /><br />I have started on a series of Napoleonic figures for a long standing client who delights in setting me problems. Which I enjoy to varying degrees. The interesting parts are challenging poses and, sometimes, less common uniforms combined with a willingness to indulge me in uniform depredation. I do need to explore some more dramatic poses but I don’t want to lose the day to day view of the soldier’s life. War being 90% boredom and only 10% action (fear).<br /><br />I am planning a painting of an R.A.F. ground crew figure. It is based on the late father of a friend who’s diary relates his central involvement in the supply of Spitfires from HMS Eagle to Malta in 1942. There is a general tendency to concentrate on military figures and I think that we should give more credit to the other services. Has anyone got any information on the R.A.F. overalls/work wear worn in the Mediterranean theatre?<br /><br />Skirmish has produced prints of several of my figures, most of which have appeared in the magazine. They are larger than the originals but have come up well and the details have held.<br />]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Fri, 06 Feb 2009 10:56:52 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=09&amp;m=02&amp;entry=entry090206-105652</comments>
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			<title>Some time away</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry080814-165940</link>
			<description><![CDATA[I must admit that the artwork has taken a back seat recently. I&#039;ve got 600 setts (cobbles) to lay in the garden and it is proving time consuming. Not that I&#039;m not thinking about the Napoleonic figures, some time away from it is allowing them to firm up in my mind and for me to consider alternatives. So, a change is as good as a rest. Back to it soon.]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Thu, 14 Aug 2008 15:59:40 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=08&amp;m=08&amp;entry=entry080814-165940</comments>
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			<title>Another one done</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry080803-204948</link>
			<description><![CDATA[Finished the Gettysburg figure today. Well, I thought I had finished him yesterday but it is always as well to give it a bit of time before having a final look. So this morning I looked again  and it was obvious that the shoulder straps weren’t positioned properly. O.k., the dress code was fairly informal at that time (which is why a 1st Lt Assistant Surgeon is wearing something approximating a non com’s sack coat) but badges of rank had to be pretty consistent in their position close to the seam of the sleeve. So, tied up in the minutiae of repainting the straps, I lost the connection with what the painting is all about. The buttons are right, the kepi is right, the shoes are right  and the image of an over worked and much bloodied doctor is right but all I am seeing are the shoulder straps (which aren’t as good as I would want but are ok). It is about the appalling price that is paid by the participants in conflict and, possibly, the obsession we have with uniform and glory. This is the point when I don&#039;t know whether the work is any good so all I can do is send it to Skirmish or I would fiddle with for ever more.<br /><br />One of Jan van Eyck’s paintings has inscribed on it “Not as I would but as I could.” Which just about says it all for me.<br /><br />So now, more work on the Napoleonic figures. These are of a more ‘Romantic’ nature than the majority of my work and perhaps this is what is giving me additional problems in thinking them through. They are still about experience and response so should not give me any more stress than others in the past. I’ll let you know.<br /><br />]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Sun, 03 Aug 2008 19:49:48 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=08&amp;m=08&amp;entry=entry080803-204948</comments>
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			<title>Avoiding work</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry080727-160524</link>
			<description><![CDATA[It’s a very hot day. Dug the garden, a bit of it, this morning and now I’m back at my desk. Painting and drinking tea. I’m working on an American Civil War image for the Skirmish special on Gettysburg. A U.S. Assistant Surgeon in an O.R. sack coat with copious blood. Not that I like lots of blood but it must have been like a slaughter house in those hospital tents. And the idea of the glories of war should be given its true perspective. <br /><br />Not being any sort of expert on the ACW I was nervous about getting the uniform right but the howardlanham.tripod.com site is really useful for the intricacies of shoulder straps, buttons, coats etc using only contemporary photos, photos of original items or reproductions of contemporary artwork. I’m always dubious about the authority of a web site but this one, supported by other sites and publications, is very good. Not that having the information makes it any easier to paint – which is why I am writing this and not painting. Sometimes it is just very difficult to get into a piece and you wander off to shout at the dog or make another cup of tea. So I will stop this and get on with it.<br /><br />The Napoleonic pieces mentioned previously are still at the planning stage. My client is sending some excellent reference material and coming up with ideas which are challenging me to look at different approaches and different subjects. Time spent at this planning stage will be well worth it when work begins.<br /><br />And with that I’ll get back to Gettysburg…<br /><br />]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Sun, 27 Jul 2008 15:05:24 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=08&amp;m=07&amp;entry=entry080727-160524</comments>
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			<title>I&#039;m back</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry080714-102801</link>
			<description><![CDATA[Is it really that long since I wrote the last blog? Obviously it is…<br /><br />It has been a very heavy and stressful few weeks recently and this side of things has suffered. However, I have finished teaching for good and now will have time to concentrate on the artwork and, apparently, decorating… I have been able to produce a couple of pieces for Skirmish. One was a group of figures (ECW) rather than the increasingly predictable single pieces. Not that I want to move entirely away from that approach but I do need to broaden what I look at and how I look at things. Now I’ve got more time I will hopefully start looking at things afresh. I do have the outstanding Napoleonic commission which, along with another Skirmish piece, I must get on with. <br /><br />Will keep you informed. Promise.<br /><br />]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Mon, 14 Jul 2008 09:28:01 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=08&amp;m=07&amp;entry=entry080714-102801</comments>
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			<title>Sorry I haven&#039;t been around</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry080605-220516</link>
			<description><![CDATA[When I have eventually got down to writing a blog I have had trouble posting it which has resulted in me losing the words I have sweated over so it’s not entirely my fault that  it’s been so long…<br /><br />I had an enquiry about the medium and process I use to make my artwork. I made a brief reply but I’ll do it again properly. I work in gouache, a water based body colour the opposite of watercolour – the former is opaque and uses it’s solidity to coat the surface whereas watercolour (which I do use sometimes) uses it’s transparency to enable the white of the surface to enhance the colour and overlays of colour to create subtle depths. With gouache it is easier to cover the mistakes – I do admire people who can slap the watercolour on. Gouache is better, at least it is for me, for fine detail. That and an 00 Winsor and Newton Series 7 sable brush. My surface of choice is strippable watercolour board of which I have a diminishing supply as the manufacturers – Oram and Robinson – folded some years ago. I bought as much of their stock as I could afford and store and am as frugal as I can be with it. The nature of the hot pressed surface is ideal for the way I work – enough tooth to take the paint easily but not enough to make a texture. If any one has got any out there…<br /><br />The paintings I am doing for Skirmish Magazine are produced same size – for speed as much as anything – but I prefer to work a third up, as I have done for Osprey, for example. The detail can be much finer and the third reduction tightens the image nicely. More about techniques another time – if you’re interested.<br /><br />To bring you up to present with work in progress: the Old Garde went well and was completed in reasonable time. The two paintings made quite a good pair. I then made a painting for the Skirmish special issue on the Battle of Naseby – trying out a different approach in the form of a vignette of a group pikemen rather than the single figures I have been doing (and will carry on doing) for them. I’ll know better how I feel about it when I see it on the page. I am now in the early stages of looking at what could be a long and challenging series of commissions from a client – it will be good to be pushed out of the comfort zone. I’ll keep you in touch. It’s Napoleonic again.<br /><br />]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Thu, 05 Jun 2008 21:05:16 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=08&amp;m=06&amp;entry=entry080605-220516</comments>
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			<title>Finally</title>
			<link>http://www.robchapmanillustrator.co.uk/blog/index.php?entry=entry080511-100059</link>
			<description><![CDATA[Up at 6.30 and finished by 8.15. What I thought last night was right but it is too soon to say whether I am happy with it or not. If I&#039;m not careful I could keep fiddling which is not good so I&#039;ve told myself it is done. Old Garde next...]]></description>
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			<author>Rob Chapman</author>
			<pubDate>Sun, 11 May 2008 09:00:59 GMT</pubDate>
			<comments>http://www.robchapmanillustrator.co.uk/blog/comments.php?y=08&amp;m=05&amp;entry=entry080511-100059</comments>
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